请选择 进入手机版 | 继续访问电脑版

墙报

 找回密码
 立即注册
资讯
墙报 首页 展讯 当前展览 查看内容

方力钧作品展(2015/10/10 泉空间)


时间:2015年10月10日 16:00

展期:2015年10月10日-11月30日

地点:北京市朝阳区酒仙桥路2号798艺术区(五号停车场对面)


…………


由泉空间主办,舒可文策划的“方力钧作品展”将于2015年10月10日下午4时在泉空间正式开幕。本次展览汇集了艺术家近两年最新创作的水墨、油画、陶瓷和版画作品。展览将持续到11月30日。

方力钧的水墨画,尺寸偏小,但形式杂多,其中大量是在旅行中完成。这得益于水墨画材料的特点,也得益于水墨画表情达意的传统意趣。水墨画的这两点特性给了作者极大的率性空间,在旅行中,或与朋友会面,或偶有所想,都可即时记录,这与他的油画中显示的安排规划有不同的质感,构成了一种类似时差的差异方式。一方面,工作室的油画、版画以一种细致的安排做出长时段的规划,另一方面,在水墨画中即时地呈现每天的感想。

2013-2015,122x163cm,套色木刻,2015


2013-2015,244x122cm,套色木刻,2015


2013,44.5x35cm纸上水墨,2013


在他的作品中,无论在饱和色的使用中,还是在人物形象的玩世波皮相,虽然给人强调印象,但却并不一定能唤起同样的感受。这之间的反差也许就是他的作品的用心所在,他不甘于以白描或直书的方式表达他的现实关注,或者说他希望能触动到在生活的现实感受中更持续敏感的方面。

在关于这次展览的访谈中,他谈到他一直关注的问题,并不是以具体的现实问题或社会现象为主题——虽然作品中常常带有很强的现实感,而是痛感,是心理层面的痛感。对痛的感受力和对痛的反应力被他当作呈现生命饱和状态的指数,不断地测量试探,以其从对这种生命感受的表现中,获得一种历史感。至于对痛感的反应方式就不拘哭笑了。对方力钧而言,具体的反应方式人各有异,而对痛的感受在更大程度上才是我们共性。而对共性的重视远重于对个性的纠缠,是方力钧久已确立的认识方向。

2013冬,137.3x72.6cm,纸本水墨,2013


2014-2015,400x700cm,布面油画,2015


“Fang Lijun’s Works”

Presented by the Spring Center of Art and curated by ShuKewen, Fang Lijun Art Exhibition will open on October 10th, 2015 at 4:00pm. This exhibition will comprise of the artist’s works from ink painting, oil painting, ceramics to prints from the last two years, and the exhibition will continue until November 30th. 

Fang Lijun’s ink paintings are smaller in dimensions and diverse in subject matter, in addition, most of these works were completed during his travels. This is not only based on the advantage in the nature of the painting materials, but also the traditional aesthetic mood conveyed through the expressions of ink painting. 

2014-2015,400x720cm,布面油画,2015


These two characteristics of ink painting provide the artist with great freedom of expression. During his travels, his encounters with friends, his thoughts and imaginations were immediately documented, revealing drastic and apparent textural differences from planning a work of art in the medium of oil paintings; it creates a time-lapse type of difference. On the one hand, the oil painting and prints produced in his studio are planned in details over an extended period of time; on the other hand, he presents his daily ideas and sentiments through ink painting. 

Although among his artworks, whether his use of saturated colors and or cynical expressions of his figures may have left viewers deep impressions, yet they were unable to provoke similar sentiments intended by the artist. This contrast is perhaps exactly the intension of his artworks, yet he is not satisfied with adopting line drawing or realistic modes of expression to convey his concerns in reality. In other words, he wishes to touch upon the continuously sensitive aspects of everyday sentiments. 

2014,122x163cm,套色木刻,2014


2015.6.1,45.7x35.2cm,纸本水墨,2015


In the interview we’ve conducted for this exhibition, he spoke of his continuous focus has not been any particular issue in reality or social phenomenon – although there is often a strong sense of reality in his works, but the sensation of pain, in particular, on a psychological level. The sensation and the response of pain are shown as the indices demonstrating the fullness of life that is being constantly tested and explored by the artist, and through expressing his understanding of life to gain a sense of history. The reaction to pain is definitely not limited to laughter and cries. For Fang Lijun, specific ways of coping with pain vary from one person to the next. Meanwhile our sensation of pain is to a large extend, our commonality. Moreover, his emphasis on commonality outweighs his obsession with individuality, and this has been a direction of understanding contemporary art that Fang Lijun has established a long time ago. 

最新评论

小黑屋|手机版|Archiver|墙报 ( 京ICP备10019105号-8 )

GMT+8, 2019-5-23 12:19 , Processed in 0.019212 second(s), 16 queries .

Powered by Discuz! X3

© 2001-2013 Comsenz Inc.

返回顶部